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Each is on a quest for something that can only be found in their subconscious. The deeper they dig, the more they come to realize that the visions found in their common dream just might hold the key to the fate of the world.
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I might give Falling Water another chance to start making sense and delivering on its ambition, but if the creators think everybody will be that generous, well, they’re dreaming.Created and executive produced by Blake Masters and executive produced by Gale Anne Hurd, FALLING WATER is a one-hour drama series that tells the story of three unrelated people who slowly realize that they are dreaming separate parts of a single common dream. In 2016, that’s asking a lot for an audience that has so many other options with so little time. It so desperately wants to create this elaborate mythology that it forgets to answer many (any?) of the myriad questions posed along the way. This is perhaps the most frustrating thing about Falling Water: The elements for a very good show are all in place but the show keeps getting in its own way. That repeating scene is like The Shining meets Twin Peaks and makes about as much sense as that sounds. Perhaps nothing is more emblematic of this problem than when all of the characters we meet, including many who we’re not following in their dream states, end up at the same mysterious restaurant that Burton and his possibly real, possibly fake girlfriend always end up at. The person who believes all of these people should be connected - and that dreams are more powerful than anyone can fathom - is tech pioneer Bill Borg (Zak Orth of Casual), who funds dream research and, naturally, wants to tap into the connectivity aspect so central to Falling Water.Īll four of these characters - and the actors who play them - are compelling, but their scenes tend to go nowhere except into more confusing dream vs. And the third link is Taka ( Wolverine‘s Will Yun Lee) as an NYPD detective whose artist mother is in a catatonic state (until he sees her in dreams). He puts out fires for a living, but he’s been having crazy dreams about a girlfriend who may or may not be real and who always pulls him back to the same New York restaurant. There’s also Burton ( Jupiter Ascending‘s David Ajala), head of in-house security at a gigantic investment bank. In Falling Water, we’re introduced to Tess (Lizzie Brochere of American Horror Story: Asylum), the most intuitive and in-demand trend spotter any New York firm can hire, who also happens to spot her missing child in dreams, even though no record of her giving birth exists in real life. Otherwise, well, you’re playing tennis with no net or lines and that gets pointless and annoying in a real hurry.
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That’s because dreams are by their nature unreliable, and if you weave three (or more) weird dreams together that hint at a greater conspiracy - plus muddle it all up by having the actors in those dreams be part of three separate but connected non-dream stories - you need to inject it all with some sense or a few flares of logic that point the way forward. 'Falling Water' Team Breaks Down USA's Mind-Bending Drama in New Promo (Exclusive Video)īut dreams are tricky business when they are injected into already coherent dramas, and even trickier when you base the entire show around them.